by: Andy Roman (revolver@bright.net)

Hold Me Tight (takes 21-29)

HOLD ME TIGHT

12 September 1963

Studio Two

EMI Studios London

 

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On this day, The Beatles attempted a remake of the Paul McCartney composition Hold Me Tight. The song was originally attempted on 11 February 1963 during the sessions for their first LP Please Please Me.

On that day, thirteen takes were recorded, two of them being complete. Yet, this early version was never used. This version, the "remake," would be included on their second album With The Beatles.

The first take attempted was given a round number, take 20, and the recording proceeded from that point.

Take Twenty-One

The song's author, Beatle bassist Paul McCartney, counts in the second take attempted (the first, presumably an aborted try).

At this point, Paul's vocals are single-tracked (of course), and John Lennon and George Harrison are delivering their "answering lines." Yet, during the second go-round of the lines "Hold. . .Me Tight" where John and George are meant to answer Paul, John sings "Sleep tight," while George sings the correct line "Me Tight."

Also interesting to note is that during the second run-through of the middle-eight, the instrumentation is different than the first play-through. This time, it continues in the style of the verses, complete with the familiar guitar motifs running through, and Ringo straight-drumming, hi-hats and all. Ringo's filler coming into the final stanza is slightly off-time as well.

Some of John and George's amswering phrases are ill-timed, John coming in too-late with the word "Hold."

The take is complete.

Take Twenty-Two

George and Paul discuss the song's structure briefly.
George: "There's just two middle eights. . ."

The Beatles are soon ready, and the take kicks off. The take breaks down at the end of the first stanza due to another timing error between George and John on the answering lines "Hold." John is again coming in too late.
George Martin: "Start again. . ."
He explains to the band that the take had to be stopped because of the timing mistake.
Paul then runs through it with John. He sings, "So hold. . ."
John answers correctly, "Hold. . ."
Mr. Norman Smith, the great voice from above, cuts in: "Take Twenty-three."
Paul makes sure, "So what are you gonna do?. . .(sings) .'So hold'. . ."

(tape edit)

Take Twenty-Three

Some Beatle chatter, most of it just prepatory mumbling. . .

The fourth attempt of the session begins. This one quickly comes to a halt as Paul flubs the second line, to which he cries, "Oh, bloody hell!"
Norman Smith announces the next take.
Paul: "I forget these first words. ."

Take Twenty-Four

This is, for the most part, the released version of the song.

Take Twenty-Five (track 2)

This take will be overdubbing onto take 24.

Additional vocals as well as handclaps are in order. Beatle handclapping is heard just prior to the take playback.

This overdub breaks down early on.

To begin with, the vocals are slightly ill-timed, and a little out of key. Secondly, John appears to be questioning something related to the recording of the handclaps.

Take Twenty-Six (track 2)

This overdub is complete.

Take Twenty-Seven (track 2)

Norman Smith: "Stand by, lads. . ."

This is another attempt at the same overdubs. This take is quickly aborted as nobody came in to sing.

Take Twenty-Eight (track 2)

Yet another attempt, incomplete.

Take Twenty-Nine (track 2)

Again. . .this time complete.

The released version of the song is an edit of takes 26 and 29

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March 5, 1963 Later on September 12, 1963 Behind The Scenes.


Paul Maclauchlan Last change: Thu Jul 5 22:19:26 EDT 2007