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Karen Carpenter

Karen Carpenter CD


A&M 31454 0588 2 October 8 1996
Pre-release information from Jerry502C@aol.com


  1. Lovelines 5:06 (Rod Temperton)
  2. All Because Of You 3:31 (Russell Javors)
  3. If I Had You 3:54 (Stephen Dorff, Gary Harju, Larry Herbstritt)
  4. Making Love In The Afternoon 3:57 (Peter Cetera)
  5. If We Try 3:47 (Rod Temperton)
  6. Remember When Lovin' Took All Night 3:50 (John Farrar, Molly Ann Leiken)
  7. Still In Love With You 3:15 (Russell Javors)
  8. My Body Keeps Changing My Mind 3:46 (Leslie Pearl)
  9. Make Believe It's Your First Time 3:12 (Bob Morrison, Johnny Wilson)
  10. Guess I Just Lost My Head 3:36 (Rob Mounsey)
  11. Still Crazy After All These Years 4:17 (Paul Simon)
  12. Last One Singin' The Blues 3:24 (Peter McCann)


Credits:


Liner notes:

Karen dedicates this album to Richard saying, "Dedicated to my brother Richard with all my heart - Karen Carpenter"

Then a note from Ramone, "To Richard: Thank you for letting me borrow your sister to make this album - Phil Ramone"

From Richard: For personal reasons, which have been chronicled in other sources, I needed and decided to take a leave of absence from my career in 1979. Karen, who was not interested in remaining idle during my hiatus, elected to record a solo album.
To produced the album, Herb Alpert suggested Phil Ramone, a highly talented and successful producer who had enjoyed both critical and commercial success with such artists as Paul Simon, Billy Joel,et al. Phil signed on and on April 30,1979, Karen left LA for New York, with the first session commencing on May 2. Due to the scheduling conflicts, the album was not delivered until early 1980. Upon completion of the playback, reaction of A&M executives and others, including me, was, to say the least, ambiguous. The result was that on May 5 1980, Karen decided to shelve the album.
As time passes and events unfold, one's perspective on certain matters can change, as has mine regarding this album. Karen was with us precious little time. She was a great artist. This album represents a certain period and change of approach in her career. As such, it deserves to be heard. - Richard Carpenter

From Phil: To completely understand the love and adventure of Karen's solo project, people should know that we made a conscious decision to experiment with music and styles that were not in the Carpenters' albums. We wanted their fans , as well as a new audience, to hear one of the greatest voice in a different surrounding. We knew some things were trendy and that the intimate songs would express her love of all music.
It was inconceivable to those of us involved with the project that a rumor might spread regarding the end of the Carpenters. That truly was beyond realm of possibility: Karen loved Richard and the music they made together. I've always related to Richard's arrangements and composing with deep admiration and we remain friends.
The love of Billy Joel's band - Rod Temperton and the other players, who had the best time working with her - gave Karen Carpenter's work in New York a sparkle that can be heard on this album. Karen and the rest of us who worked on this project understood the decision to wait on the release. As years passed, both Richard and I wondered when it might be released. Together we stand proud as this was a piece of work that meant so much to Karen, it was truly a labor of love.
I have not remixed or done anything to the tapes. These mixes, the material and style are the way Karen approved them. The bonus track is unmixed and was one of several that might have been finished. I miss her terribly - but I know she's watching with a smile. - Phil Ramone


A&M paragraph promo

From the A&M website, August 13 1996

Karen Carpenter recorded one solo album in her career in the mid-Seventies. Produced by famed helmer PHIL RAMONE -- Karen Carpenter contains 12 cuts never before released. And it is a revelation. The songstress is heard in stripped-down arrangements -- with sparse over dubbing -- allowing her solo voice to be front and center. And the songs range in scope from the remarkable bluesy If I Had You, to the sultry My Body Keeps Changing Its Mind. Recorded in New York City, Karen Carpenter is finally seeing the light of day almost 20 years after it was recorded -- in digital, remastered sound.


A&M Press Release
Entertainment Weekly review, October 11, 1996 issue
New York Times Magazine article, October 6, 1996
Los Angeles Times review, October 6, 1996

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Buy:

Karen Carpenter
CD

  Buy:

Karen Carpenter
CD

Last changed: Sun Jul 8 18:45:36 EDT 2007